Oliver was a great team player. We would definitely re-employ him and genuinely wish he hadn’t left to relocate to London.
Oscar Ramirez
Program Director / KCFI, iHeart Media
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Get to know Oliver
A quick introduction to Oliver’s approach to sound, from dialogue editing and ADR to full re-recording mixes for film and TV.
About Oliver
Nine years of experience in film, TV and branded content
Oliver Boon is a sound mixer and editor with over nine years of experience across film, television, and branded content. He has worked in Los Angeles on a range of productions, contributing to projects that have screened at international festivals and reached global audiences. His work covers production sound, dialogue editing, sound design, and final mix, with a focus on clarity, storytelling, and technical precision.
He was selected for the Academy Gold Rising Program for Sound, a highly competitive initiative recognising emerging industry talent. Oliver is now based in the UK, working in dubbing and sound post-production in London, alongside his ongoing freelance credits in film and television post-production sound.
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Toolkit
Skills & equipment
DAWs
Pro Tools (primary), Logic Pro, Reaper, Ableton, Adobe Audition
Post & Dialogue
iZotope RX, ADR supervision, Foley editing, dialogue editing, sound design, final mix
Delivery
Stereo and 5.1 surround for feature film, broadcast and online platform specs
Other
Soundminer, Soundly, Krotos Studio, podcast production, broadcast studio workflows
Featured Reel
Animation Reel
Sound design, dialogue cleanup, foley and mixing for animated work. See the full set of reels for more.
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Work References
Oliver joined Bleav as an audio intern and quickly demonstrated a level of professionalism and technical skill well beyond his years. He managed Pro Tools sessions independently, contributed meaningfully to The Bystanders Podcast, and handled on-location engineering with confidence. He is exactly the kind of person you want in a fast-moving production environment.
Alex Carter
Director of Tech Productions, Bleav Entertainment
Oliver served as Supervising Sound Editor and Re-Recording Mixer on Yellow Eyes, and brought a rare combination of creative instinct and technical precision to the role. His work on the film is outstanding. I give him my strongest recommendation.
Paul Hackner
Emmy-nominated Sound Designer & Re-Recording Mixer, Kent Road Sound Design
Selected Work
Recent credits
A few of the recent projects Oliver has worked on. See the full list on IMDb.
Want the full picture?
See Oliver’s full credits, experience and technical skills in one place.
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